I hope you enjoy this video!
This postcard was sent to Newt from Tina. It shows Frank, the Thunderbird making a storm in New York. Helping MACUSA (The Magical Congress of the United States of America) obliviate thousands of muggles!
This Fantastic Beasts Ambient Music Mix is made with the best Fantastic Beasts songs from the films:
— Fantastic Beasts and Where To Find Them
— Fantastic Beasts: Crimes of Grindelwald
Just like the Harry Potter Ambient Music videos, I added extra sounds (in this case rain/storm/thundersounds) for optimal immersion.
I do not own the rights to the music. This video is purely made because of the love for the franchise and the music.
Hello Cyberpunk fans! This is first Cyberpunk 2077 Radio Mix, back again. This is an aggressive mix of Electro/Cyberpunk music. Join my channel for more related music! (TRACKLIST BELOW)
If you want to hear more Synthwave/Cyberpunk/Electro music follow my channel, and remember that I have Spotify! (link below)
Producer: Michael Giacchino
Studio Personnel, Engineer: Greg Loskorn
Studio Personnel, Mixer: Joel Iwataki
Studio Personnel, Mixer: Peter Cobbin
Conductor, Unknown, Other: Tim Simonec
Studio Personnel, Editor: Stephen M. Davis
Studio Personnel, Editor: Warren Brown
Studio Personnel, Editor: John Finklea
Associated Performer, Recorder: Adam Michalak
Unknown, Other: Booker White
Unknown, Other: Walt Disney Music Library
Unknown, Other: Reggie Wilson
Unknown, Other: Connie Boylan
Unknown, Other: Bobbi Page
Unknown, Other: Vincent Cirilli
Unknown, Other: Patricia Sullivan
Unknown, Other: Bill Ross
Unknown, Other: Brad Dechter
Unknown, Other: Jeff Kryka
Unknown, Other: Chris Tilton
Composer Lyricist: Michael Giacchino
Arranger, Orchestrator: Bill Ross
Arranger, Orchestrator: Brad Dechter
Arranger, Orchestrator: Tim Simonec
Arranger, Orchestrator: Jeff Kryka
Arranger, Orchestrator: Chris Tilton
00:00 Heroic Imp
03:03 Imp Love Theme
09:19 You Were Right
10:30 BoTH Love Theme Version
12:44 BoTH Reprise Music Box
13:56 Across Tatooine/Young Anakins Theme Classical Guitar
17:25 Imp Reprise
20:51 Anakins Piano Suite
MAX COOPER
Thanks for having a look at the first video from my next audio-visual album coming later this year. The whole project was a commission from the Barbican centre in London, where they do a lot of great events, Ive seen many of my favourite gigs there. So I wanted to prepare something special, and something intense, using the structure of the beautiful hall there as a canvas for the show. Their brief was around emerging new technologies and how theyre changing society, so I tried to boil the whole process down to its fundamentals which I could visualise and write music for — which spawned «yearning for the infinite». The idea being that were locked in our societal- and nature-driven pursuit of growth and knowledge and more, always more. I had come across some really beautiful ideas for visualising the infinite which Ill tell you more about later as the content comes, and I decided to combine these abstract visualisations with stories of us, in our endless activity as part of the systems in which we exist. This also gave me the potential for the scale and intensity I wanted to create for the project. This particular chapter comes later on in the show when both the human story and the abstractions (transcendental digits from Martin Krzywinski, aperiodic tiling from Jessica In and dividing surfaces from Andy Lomas) start to merge. The great visual artist and long term collaborator Nick Cobby had time in Mexico city which seemed an amazing opportunity to capture this dense human activity, and once again hes created another of his tightly synced and detailed masterpieces, many thanks Nick! I recommend watching on a big screen where possible. Lots more to come soon, thanks for watching and listening.
NICK COBBY
Maxs idea for Perpetual Motion was to document the continuous movement of people, exploring how there is no inherent meaning in life, only our own meaning which we create through striving towards our goals. When we discussed the idea of the film, Max and I felt Mexico City was the perfect place to use as a canvas. A sprawling metropolis of 9 million people, all packed in tight and some really interesting land forms and architecture. I then got the idea of using drones when scouting for locations on Google Earth. There were some amazing geometric forms that when viewed from above give an entirely different perspective of the city. I was really interested in the juxtaposition of these orderly forms with the irregular, disorderly chaos confined within it. For me it really helped push the idea of living as part of a perpetual system. I collaborated with 3 very talented Mexican photographers who shot some incredible footage for me, Manuel Marañón, Roberto H and Santiago Arau. It was a pleasure to collaborate with them and I hope the film can be shown in Mexico some time soon. For the animation side, I collaborated with Andy Lomas and Jessica In, integrating their forms frame by frame into the drone footage with my own point data, aiming to create unexpected transitions and connections between reality, hyper realism and the hidden systems beneath.