Love Pledge and the Arena · John Williams · London Symphony Orchestra
Star Wars: Attack of the Clones
℗ 2018 Lucas Film Ltd.
Released on: 2002-04-23
Producer, Conductor: John Williams
Studio Personnel, Recording Engineer, Mixer, Associated Performer, Music Production: Shawn Murphy
Studio Personnel, Asst. Recording Engineer: Dann Thompson
Studio Personnel, Asst. Recording Engineer: Chris Clark
Studio Personnel, Asst. Recording Engineer: Andrew Dudman
Studio Personnel, Asst. Recording Engineer: Dave Forty
Studio Personnel, Asst. Recording Engineer: Owen Tamplin
Unknown, Other: London Voices
Unknown, Other: Mark Willsher
Unknown, Other: Timeri Duplat
Unknown, Other: Terry Edwards
Unknown, Other: Patricia Sullivan
Composer: John Williams
This is a live set I made for Dour Festival in Belgium, which I will be playing at on the 12th of July. Theres a whole load of new stuff in this mix which hasnt been released or included in any other mixes before, including the first preview of my Michael Nyman remixes, and my next EP on Bodzins Herzblut label. Theres some tracks in there which I cant even announce yet, plus my remix of two of my favourite artists in the world, Ólafur Arnalds and Nils Frahm! I hope you enjoy it…
A study in deliberately soothing textures designed to give the listener space to find stillness and collapse into rest — late night lullabies.
How To Disappear Completely presents Mer de Revs II, second installment of our experimental sleep music project. Almost eighty minutes of new music composed and recorded over twelve month period (a song per month), 2016/2017. Recording this album we wanted to keep the same aesthetics — simple as possible, minimal amount of gear as possible. We genuinely appreciate your support, and hope you enjoy the new music. As always, thanks for listening.
More volumes of Mer de Revs are likely to appear in the future.
credits
released July 28, 2017
Recorded live to 2 inch tape.
Composed with Yamaha DX7, tape loops, processed/reprocessed guitars, voice and loads of old VHS tapes.
The new album project is full of scores to infinite visualisations, so it needed some spacey synth noodlings to match. Its the first time Ive made a live improvised piece of music, it gives it a different feel, less precise arrangement, constant patch morphing and more flow. Something to get lost in hopefully. Myself on synths, Six Sigma on bassline, and Adam Betts on drums. I added some detailing later and the big retro snare etc, but the core synth and basslines that run throughout came from that initial jam session.
The track is called Parting Ways, and is set to a video sequence by the awesome Maxime Causeret, telling the story of creation via endless division. Youll see the references to old video projects in there too, it was one part of the new story which overlapped with some old ones.
— — — MAXIME CAUSERET:
Ive tried to start from a very simple element a box and make it split again and again in order to create more complex structures. It ends up to the universe splitting into multiverses that loops back to this box splitting and splitting again, in an infinite loop. As a funny fact, I often get crazy scales while zooming out, with a few unexpected bugs like min and max slope values in Houdini animation editor. I hope you will enjoy this animation. I have to thanks 2 collaborators that helps me on this project: Leslie Murard and Gratien Vernier.
This is a response to a specific video that used the same songs, but without any mixing.
00:00 Intro The Awakenings
7:02 Kittys Journey
11:35 Gravity
18:28 The Future
23:25 Purple Noise
30:09 The Troublemakerz
35:09 Hashtag
41:28 Gehörschadengenerator
47:24 Killing Me
53:22 Applepaw
1:01:17 Schleierwolken
1:06:16 Devil
1:14:40 Chameleon
1:18:29 To the moon and back
1:22:26 Happiness Lies
1:29:24 Night Owl
1:36:00 Never look back
1:43:25 Flockentanz
1:49:05 Pinienbaum
1:56:47 Sad but true
2:03:27 Angel is the sky
2:09:00 Space Gremlin
2:14:14 The Darknest Night
2:20:28 The Final