Компания отказывается брать для показа моделей, отличающихся от классическихстандартов. Речь идет о моделях размера плюс и людях снестандартной гендерной идентичностью. По его мнению, этоскажется в дальнейшем на продажах компании. Так и случилось.Но обо всем по порядку.
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00:00 Blues Delight — Slightly Hung Over
04:46 Gene Deer — Midnight Healing
12:30 Chris Bell — Cold-Hearted Woman
17:50 Scott Holt — Ive Got A Mind To Give Up
24:00 Bernard Allison — Help Me Through The Day
28:50 Luther Johnson — Lonesome in My Bedroom (Live)
35:24 Gary B.B. Coleman — One Eyed Woman
39:45 Aynsley Lister — Need Her So Bad
46:46 Bronk
At the heart of Lusines 2009 full-length A Certain Distance lies the song Twilight, a placid, vocal-led downtempo lullabye. If Two Dots, A Certain Distances luminous first single, was the albums knockout blow, Twilight is its victory lap—similar in scope and instrumentation but calmer in execution, its gently chugging drum programming and billowing puffs of Rhodes providing a weightless base for Vilja Larjostos voice, clear and knowing as ever. What do you know about the ancients? / What do you know about the future? Larjosto intones as the song walks on air, evoking an appropriately thoughtful mood to match the songs titular half-light.
The digital single of Twilight comes with three additional tracks. Lusines Crowded Room (Type A) reworks A Certain Distance`s dancefloor standout by bringing its ringing synth tones to the forefront and filling the background with eerie vocoded mumblings. Lusines own re-edit of Twilight (as an Elliptical Mix) whips the original into a delirious late-night confection, all bleary textures and four-on-the-floor momentum; while Spectral Sound alumnus Jeff Samuel adds his own techno spin to Twilight, spraying a thin mist of Larjostos vocals over a field of percolating hi-hats and hand claps.
A study in deliberately soothing textures designed to give the listener space to find stillness and collapse into rest — late night lullabies.
How To Disappear Completely presents Mer de Revs II, second installment of our experimental sleep music project. Almost eighty minutes of new music composed and recorded over twelve month period (a song per month), 2016/2017. Recording this album we wanted to keep the same aesthetics — simple as possible, minimal amount of gear as possible. We genuinely appreciate your support, and hope you enjoy the new music. As always, thanks for listening.
More volumes of Mer de Revs are likely to appear in the future.
credits
released July 28, 2017
Recorded live to 2 inch tape.
Composed with Yamaha DX7, tape loops, processed/reprocessed guitars, voice and loads of old VHS tapes.