Françoise Hardy’s eyeliner, Marianne Faithfull’s long bangs or Brigitte Bardot’s baby doll dresses in ‘Belle de Jour’: for its Autumn-Winter 2017-2018, the Zuhair Murad house draws its inspiration from Sixties femininity and style.
A sense of youth and freedom sweeps over the pieces, giving the fashion of that time a contemporary and graphic twist.
Each garment is achieved in the utmost artisanal quality, yet aimed at a woman with a fast paced life.
A macramé mini-dress is adorned with sequins, elevating a simple design to an outfit that can be worn both a day and evening wear.
An ensemble composed of a tweed waistcoat and matching shorts, is paired with a pussy bow blouse.
A tartan suit embellished with delicate ruffles is combined with wide pleated trousers and high-heeled Mary-Jane sandals. This allure infuses sensuality at the heart of menswear sartorial icons.
Angora pullovers, fur coats worn belted or eel ankle boots: these designs make for a modern collection in a timeless palette of white, black, deep red, antique pink.
By playing with codes in an effortless yet refined manner, Zuhair Murad declares luxurious independence.
I do not profit from this and do not own the copyright, if copyright owners want to remove the video please contact me and it will be removed,thank you
Let me know in the comments what soundtrack/artist I should do next!
Hope you enjoy.
Tracklist:
Interstellar
— 00:00 — 01:05 — Organ Variation
00:00 — 03:54 — Tick Tock
03:54 — 05:10 — Cornfield Chase
05:10 — 08:08 — Where Were Going
07:55 — 08:56 — No Time For Caution
— Inception
— 08:57 — 13:17 — Time
— Pirates of the Caribbean
— 13:15 — 14:18 — Davy Jones
14:19 — 16:15 — The Kraken
16:15 — 18:17 — At Wits End
18:17 — 20:13 — What Shall We Die For
20:13 — 24:02 — One Day
24:03 — 26:37 — Up Is Down
26:38 — 30:05 — Drink Up Me Hearties
— Batman Trilogy
— 30:06 — 30:34 — Bank Robbery
30:34 — 31:45 — Antrozous
31:45 — 32:18 — Barbastella
32:19 — 33:06 — Vespertilio
33:05 — 36:07 — A Dark Knight
36:07 — 36:33 — Aggressive Expansion
36:33 — 36:41 — Im Not A Hero
36:42 — 39:51 — Like A Dog Chasing Cars
39:51 — 42:08 — Despair
— Man of Steel, The Da Vinci Code, Gladiator, The Last Samurai, Blue Planet II, Planet Earth II
— 42:09 — 44:19 — Flight
44:15 — 47:57 — Chevaliers de Sangreal
47:57 — 50:34 — Now We Are Free
50:35 — 51:42 — Spectres In The Fog
51:42 — 54:25 — Safe Passage
54:26 — 56:48 — The Blue Planet
56:48 — 58:11 — Planet Earth II Suite
— I do not own any rights to any of these songs.
For listening purposes only.
Music composed by Hans Zimmer.
During this period, I sought to give collective efforts a new dimension. Despite the disadvantages of distance, bringing a different perspective to our daily lives has given us strength and imagination,” says Maria Grazia Chiuri, who for this Cruise show has chosen to reconnect her creative passion with the region of Puglia, a place close to her heart. Texts by the anthropologist Ernesto De Martino dedicated to the region’s traditions – which have influenced authors including Germano Celant and Georges Didi-Huberman – led her to explore their roots. Puglia and its different energies, where magical beliefs such as Tarantism live on, have become in this particular context a concrete form of utopia, a new reading of the world.
hristian Dior (French: [kʁistjɑ̃ djɔʁ]; 21 January 1905 – 23 October 1957) was a French fashion designer, best known as the founder of one of the worlds top fashion houses, also called Christian Dior, which is now owned by Groupe Arnault. His fashion houses are now all around the world.
In 1946 Marcel Boussac, a successful entrepreneur known as the richest man in France, invited Dior to design for Philippe et Gaston, a Paris fashion house launched in 1925.[11] Dior refused, wishing to make a fresh start under his own name rather than reviving an old brand.[12] On 8 December 1946, with Boussacs backing, Dior founded his fashion house. The actual name of the line of his first collection, presented on 12 February 1947,[13] was Corolle (literally the botanical term corolla or circlet of flower petals in English), but the phrase New Look was coined for it by Carmel Snow, the editor-in-chief of Harpers Bazaar. Diors designs were more voluptuous than the boxy, fabric-conserving shapes of the recent World War II styles, influenced by the rations on fabric.[14] He was a master at creating shapes and silhouettes; Dior is quoted as saying «I have designed flower women.» His look employed fabrics lined predominantly with percale, boned, bustier-style bodices, hip padding, wasp-waisted corsets and petticoats that made his dresses flare out from the waist, giving his models a very curvaceous form.
Initially, women protested because his designs covered up their legs, which they had been unused to because of the previous limitations on fabric. There was also some backlash to Diors designs due to the amount of fabrics used in a single dress or suit. Of the “New Look”, Gabrielle “Coco” Chanel said the following, “Look how ridiculous these women are, wearing clothes by a man who doesn’t know women, never had one, and dreams of being one.” During one photo shoot in a Paris market, the models were attacked by female vendors over this profligacy, but opposition ceased as the wartime shortages ended. The «New Look» revolutionized womens dress and reestablished Paris as the centre of the fashion world after World War II.[15]