Fueled by harsh climates and a highly engineered background, Boris Bidjan Saberi’s Spring Summer 2017 collection leads us on a journey into the complexity of technological advancement.
Suggestive of the sensory palette in a post apocalyptic world, with the smell of corroded mechanics and melted tires, the road drifter silhouettes show a precise equilibrium of some type of manmachine
dichotomy.
Seemingly built by an invasive technology, the articulated garments highlight the geometry of the body, while revealing functional tailored details. A range of open elbow jackets and protective lazercut vests with modular lining pair with thermo-sealed canvas parkas with metallic taped seams.
Built inside-out or outside in, demonstrating the complexity of their construction, the clothing acknowledges the engineering procedures that led to their crafting.
Resin dyed stiff cottons, along with coated horse and kangaroo leathers shape versatile jackets and wrinkled drop-crotch pants. Fine-gauge knits, raw silk and paper-like textiles display a highly contrasted spectrum of materials.
Sleeveless trench coats and oversized getaway backpacks are seemingly cut from a cracked earth like surface, then appear as hand painted leather, adding a distinctive sulfuric shade to the mineral palette of the collection.
Dry, earthy tones are followed by rusted metallic colors. Beaten steel, iron, brass and copper are the foundation for the signature treatments and finishes.
As if covered by melted rubber and fuel stains, these wounded apparats receive latex, vinyl and wax treatments, forming a protective wardrobe for futuristic tribes.
Strengthened by anatomical corset-like vests, Boris Bidjan Saberi’s military sci-fi hybrid armors become exoskeletons. Shifted, cropped and elongated, all created by a combination of both hand and machine skills and technology, these all out dystopic Western garments draw a yet to be seen masculine silhouette, brought to us from the post-humanism age.
The technological emphasis of the collection is further underscored by a range of exclusive object dyed footwear designed in collaboration with the mountain brand Salomon, for the additional line 11 by Boris Bidjan Saberi.
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«Gianfranco Ferré Spring Summer 1997 Topmodels by FashionChannel featuring models Adriana Sklenarikova, Ester Canadas, Milla Jovovic and others, dressing only jeans for Ferrè catwalk.
The best videos, the most exclusive moments of the international runway since 1982 until now, of the most representative fashion weeks of the world. Backstage secrets, insights make-up and hair style, curiosities from the fashion world, celebrities, photo shoot, designer and model clips, red carpets and gossip, parties, obviously besides the shows of all the top designers, generally available in high definition formats HD on the Youtube network FASHION CHANNEL.
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Georges Chakra | Haute Couture Spring Summer 2020 by Georges Chakra | Full Fashion Show in High Definition. (Widescreen — Exclusive Video/1080p — PFW/Paris Fashion Week)
George Georgia — Distant Galaxies/Shining Skies/Autumn Wonder/Bright Crystals/Ascending
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Valentin Yudashkin autumn-winter 2020/21 – a new collection presented by Valentin Yudashkin at the womens fashion Week in Paris (Paris Fashion Week). The show of the prêt-à-porter collection «Man and Woman» took place on March 3, 2020 in a fashionable Paris hotel on the place Vendome.
Эми́лия Кларк — британская актриса театра, кино и телевидения. Наиболее известна по ролям Дейенерис Таргариен в телесериале «Игра престолов», Сары Коннор в фильме «Терминатор: Генезис» и Ки’ры в фильме Хан Соло. Звёздные войны: Истории.
Родилась: 23 октября 1986 г. (возраст 32 года), Вестминстер, Лондон, Великобритания
Рост: 1,57 м
Имя при рождении: Эмилия Изабель Евфимия Роуз Кларк
Награды: Премия Scream в номинации «Лучший женский персонаж», ЕЩЁ
Номинации: Премия Гильдии киноактёров США за лучший актёрский состав в драматическом сериале.
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