A study in deliberately soothing textures designed to give the listener space to find stillness and collapse into rest — late night lullabies.
How To Disappear Completely presents Mer de Revs II, second installment of our experimental sleep music project. Almost eighty minutes of new music composed and recorded over twelve month period (a song per month), 2016/2017. Recording this album we wanted to keep the same aesthetics — simple as possible, minimal amount of gear as possible. We genuinely appreciate your support, and hope you enjoy the new music. As always, thanks for listening.
More volumes of Mer de Revs are likely to appear in the future.
credits
released July 28, 2017
Recorded live to 2 inch tape.
Composed with Yamaha DX7, tape loops, processed/reprocessed guitars, voice and loads of old VHS tapes.
01 Henry Saiz — Lucero Del Alba (Kris Davis Remix)
02 Henry Saiz — Dystopian (Few Nolder Remix)
03 Henry Saiz — Lucero Del Alba (Moscoman Remix)
04 Henry Saiz — Dystopian (Fabrizio Mammarella Remix)
Henry Saiz last EP on Suara was a great achievement for the label. We are in love with the Spanish artists music. He already made some amazing tracks for us. Now we feel is the time for a remix package. Some of the coolest artist of the moment have revisited Dystopian and Lucero del Alba and they have bring the tracks to another level: Kris Davis did a delicate and deep mix, Few Nolder goes in a techno way with a fat bassline and a great job with the high-end sounds. Moscoman takes Lucero del Alba to his onirical world and Fabrizio Mamarella deliveres a dark italo-disco version of “Dystopian”. Huge package only for connaisseurs.
Artwork by GaAs
Mastering by www.pobla.es
Origins is part of my new Emergence audiovisual show. It examines how everything comes from (almost) nothing — how simple laws create complex, fascinating and beautiful outcomes. Origins shows how electromagnetism — one of the four fundamental forces, helps create the types of cell structures that allow life to emerge.
What you see is water mixed with an oily ferrofluid. Because their charge properties are different, they cannot mix – each repels the other. But when forcibly mixed by mechanical or magnetic forces, the result is that spheres form of one fluid inside the other – basic cell-like structures. All living cells today exhibit this same natural property of being encased in molecules that form a barrier which repels water, and it’s possible that the first cells arose through the sorts of processes shown in the video.
The inclusion of a magnetically influenced ferrofluid isn’t needed to yield these basic cell-like spheres, but provides a great way of manipulating the fluids for the video. And it looks cool.
Origins is one chapter of the Emergence story for which I have worked with many different animators, musicians and some mathematicians to put together a full length audio and visual live performance. Each part of the story involved an interpretation of the ideas so that we could present them in a beautiful and abstracted, but still meaningful manner. I didn’t want to start from the big bang as would be the usual, but to look at more fundamental form from which everything could stem from — the structure of numbers themselves, shown via Riemann’s zeta function, the Sieve of Eratosthenes and Sacks spiral. The story then progresses through ideas of dimensionality, eventually the formation of matter and the universe, stars, planets, the beginnings of life, evolution, plants, animals, humans and all the way through to modern society, the capitalist machine and information era.
I wasn’t sure how to approach the origins of life section, and originally was asking for an evolutionary-themed competing cells video. But when I saw the first tests of Rabbit Hole’s ferrofluid work I realised that we were looking at something much more fundamental – how natural materials and forces can produce the first sorts of structures needed to initiate early life.
Director Tim Dee of Rabbit Hole adds:
Most of the footage you see is rotated 180 degrees to make the movement more striking. We experimented with several liquids to try to create dramatic movement: from a ferrous liquid made from vegetable oil, water and printer tone (which didnt work so well), to using kerosene, oleic acid and magnetised iron filings — all in a tiny tank the size of a coffee mug, with about four different magnets and an airpipe used to manipulate the liquid.
The video was filmed using a Blackmagic 4K Production camera with Nikon prime lenses to get in close. The final picture stitches up to three pieces of footage together, with all camera movement and zoom added during editing. This was our first music video, though weve worked with Max on his website and record covers before. Hope you like it!
There is also a brand new site dedicated to providing you with some new, unheard, music, mixes and remixes that wont be available from anywhere else, all for free. If youd like to receive this music you can sign up to the site at www.maxcooper.net/downloads