Cyberpunk 2077 Radio Mix (Electro/Cyberpunk)

Мода 21 Века

Hello Cyberpunk fans! This is first Cyberpunk 2077 Radio Mix, back again. This is an aggressive mix of Electro/Cyberpunk music. Join my channel for more related music! (TRACKLIST BELOW)

If you want to hear more Synthwave/Cyberpunk/Electro music follow my channel, and remember that I have Spotify! (link below)

Join my Patreon to support my music!:
www.patreon.com/NightmareOwl

My social links: — - — -

www.youtube.com/user/NightmareOwlMusic
nightmareowl.bandcamp.com/music
twitter.com/nightmareowlFML
open.spotify.com/artist/3aVTP9q5z6kOdQfG10j67O
nightmareowl.com

TRACKLIST:
1 The Encounter — Astrid (feat. Street Cleaner) (0:00 — 4:45)
2 Hyper — Clockwork (4:45 — 9:08)
3 EDDIE — Still Healing (9:08 — 14:31)
4 Owl Vision — Warhogz (14:31 — 18:00)
5 Boys Noize — Overthrow [blanke flip] (18:00 — 20:51)
6 Social Kid — Transmissions (20:51 — 24:45)
7 Owl Vision — Eclypz (24:45 — 29:29)
8 Virtual Self — eon break [blanke flip] (29:29 — 32:07)
9 Virtual Self — Ghost Voices (Shadient Edit) (32:07 — 35:20)
10 Lemay — Digital Disaster (35:20 — 38:06)
11 REZZ — Insomnia (BLACK NOIZE VISION) (38:06 — 43:10)
12 Notaker — Fatal System Error (43:10 — 47:35)
13 The Encounter — Claire (47:35 — 51:26)
14 Formshift — Devolution — HE08 (51:26 — 56:00)
15 Hyper — Spoiler (56:00 — 1:00:27)
16 REZZ — ID (First track on «Nightmare on Rezz Street») (1:00:27 — 1:02:24)

Lord Of The Rings - Soundtrack HD Complete (with links)

Мода 21 Века

DIRECT LINKS — Part I (The Fellowship Of The Ring):
0:00:05 — The Prophecy
0:03:56 — Concerning Hobbits
0:06:51 — The Shadow Of The Past
0:10:24 — The Treason Of Isengard
0:14:25 — The Black Rider
0:17:13 — At The Sign Of The Prancing Pony
0:20:27 — A Knife In The Dark
0:24:01 — Flight To The Ford
0:28:16 — Many Meetings
0:31:22 — The Council Of Elrond
0:35:11 — The Ring Goes South
0:37:14 — A Journey In The Dark
0:41:34 — The Bridge Of Khazad-dum
0:47:32 — Lothlorien
0:52:06 — The Great River
0:54:49 — Amon Hen
0:59:51 — The Breaking Of The Fellowship
1:07:12 — May It Be
DIRECT LINKS — Part II (The Two Towers):
1:11:29 — Foundations Of Stone
1:15:21 — The Taming Of Smeagol
1:18:10 — The Riders Of Rohan
1:22:16 — Passage Of The Marshes
1:25:02 — The Uruk-hai
1:27:50 — King Of The Golden Hall
1:31:39 — The Black Gate Is Closed
1:34:41 — Evenstar
1:37:57 — The White Rider
1:40:25 — Treebeard
1:43:09 — The Leave Taking
1:46:50 — Helms Deep
1:50:44 — The Forbidden Pool
1:56:11 — Breath Of Life
2:01:19 — The Hornburg
2:05:56 — Forth Eorlingas
2:09:11 — Isengard Unleashed
2:14:13 — Samwise The Brave
2:17:59 — Gollums Song
2:23:51 — Farewell To Lorien
DIRECT LINKS — Part III (The Return Of The King):
2:28:28 — A Storm Is Coming
2:31:20 — Hope And Memory
2:33:06 — Minas Tirith
2:36:43 — The White Tree
2:40:09 — The Steward of Gondor
2:44:02 — Minas Morgul
2:46:00 — The Ride Of The Rohirrim
2:48:09 — Twilight And Shadow
2:51:39 — Cirith Ungol
2:53:24 — Anduril
2:55:59 — Shelobs Lair
3:00:06 — Ash And Smoke
3:03:31 — Fields Of The Pelennor
3:06:57 — Hope Fails
3:09:18 — The Black Gate Opens
3:13:20 — The End Of All Things
3:18:33 — The Return Of The King
3:28:47 — The Grey Havens
3:34:47 — Into The West

Max Cooper - Perpetual Motion (Official Video by Nick Cobby)

Мода 21 Века

⬛Buy/stream: ffm.to/yearningfortheinfinite
⬛Subscribe here: bit.ly/sub2maxcooper and enable alerts

MAX COOPER
Thanks for having a look at the first video from my next audio-visual album coming later this year. The whole project was a commission from the Barbican centre in London, where they do a lot of great events, Ive seen many of my favourite gigs there. So I wanted to prepare something special, and something intense, using the structure of the beautiful hall there as a canvas for the show. Their brief was around emerging new technologies and how theyre changing society, so I tried to boil the whole process down to its fundamentals which I could visualise and write music for — which spawned «yearning for the infinite». The idea being that were locked in our societal- and nature-driven pursuit of growth and knowledge and more, always more. I had come across some really beautiful ideas for visualising the infinite which Ill tell you more about later as the content comes, and I decided to combine these abstract visualisations with stories of us, in our endless activity as part of the systems in which we exist. This also gave me the potential for the scale and intensity I wanted to create for the project. This particular chapter comes later on in the show when both the human story and the abstractions (transcendental digits from Martin Krzywinski, aperiodic tiling from Jessica In and dividing surfaces from Andy Lomas) start to merge. The great visual artist and long term collaborator Nick Cobby had time in Mexico city which seemed an amazing opportunity to capture this dense human activity, and once again hes created another of his tightly synced and detailed masterpieces, many thanks Nick! I recommend watching on a big screen where possible. Lots more to come soon, thanks for watching and listening.

NICK COBBY
Maxs idea for Perpetual Motion was to document the continuous movement of people, exploring how there is no inherent meaning in life, only our own meaning which we create through striving towards our goals. When we discussed the idea of the film, Max and I felt Mexico City was the perfect place to use as a canvas. A sprawling metropolis of 9 million people, all packed in tight and some really interesting land forms and architecture. I then got the idea of using drones when scouting for locations on Google Earth. There were some amazing geometric forms that when viewed from above give an entirely different perspective of the city. I was really interested in the juxtaposition of these orderly forms with the irregular, disorderly chaos confined within it. For me it really helped push the idea of living as part of a perpetual system. I collaborated with 3 very talented Mexican photographers who shot some incredible footage for me, Manuel Marañón, Roberto H and Santiago Arau. It was a pleasure to collaborate with them and I hope the film can be shown in Mexico some time soon. For the animation side, I collaborated with Andy Lomas and Jessica In, integrating their forms frame by frame into the drone footage with my own point data, aiming to create unexpected transitions and connections between reality, hyper realism and the hidden systems beneath.

Stream/download: ffm.to/perpetualmotion
Album website with the whole AV project explained: www.yearningfortheinfinite.net

Music:
Max Cooper
maxcooper.net/
@maxcoopermax

Directed:
Nick Cobby
nickcobby.com
@nickcobby

Drone Photographers:
Manuel Marañón
www.quinque.work
@quinque.work

Roberto H
robertoh.mx/
@dronerobert

Santiago Arau
santiagoarau.com
@santiago_arau

Animators:
Nick Cobby
Andy Lomas

Max Cooper - Transcendental Tree Map (Official video by Martin Krzywinski and Nick Cobby)

Мода 21 Века

Buy/stream: ffm.to/yearningfortheinfinite
Subscribe: bit.ly/sub2maxcooper

Max Cooper:
For the «Yearning for the Infinite» project I looked for different ways of visualising the infinite, interspersed between imagery of humans in endless pursuit. For one chapter I wanted to visualise the digits of a transcendental number, thought to be endless and non-repeating. Martin Krzywinski specialises in visualising these digits amongst many other things, and one of my favourite images is his tree map of pi, which presents this endless nested chaos in beautiful visual form. I wanted to map that growing randomness and chaotic detailed structural form to the piece of music, so I collaborated with the great music software developer, Alexander Randon on a special tool which allows the construction of musical fractals and many other complex melodic forms. With this tool I started the piece with a simple melodic structure, which is iteratively broken down into more and more complex melodies as the tree map breaks down the initially simple first digit into more and more complex sub-structures. With the aesthetic as a whole becoming this sea of interacting notes, partly random, but with a global form emerging eventually, as the circle is embodied by the chaos of the digits of pi.

Nick Cobby collaborated with Martin to bring this idea to life in animated form for the visual show, with a hyper-detailed tree map structure growing all around the audience. And if youre interested in the ideas behind this I delved into this chapter in some detail in a recent blog essay here (which also comes as a poster with Martins tree map image inside the album vinyl package): maxcooper.net/transcendental-tree-map

Martin Krzywinski:
The transcendental tree map encodes the first 20,244 digits of Pi = 3.1415...7012.

The construction of the map begins with dividing the canvas with 3 vertical lines, which forms 4 rectangles. Each of the four rectangles formed by this process is divided with 1, 4, 1 and 5 horizontal lines, respectively. This forms 2 5 2 6 = 15 rectangles. Each of the 15 rectangles is divided by vertical lines according to the next 15 digits of Pi. This process repeats until we have performed the loop 7 times.

The division of each rectangle is not even—the positions of the lines are slightly jittered. This gives the map a more organic feel.

The number of digits encoded in each loop is 1, 4, 15, 98, 548, 2,962 and 17,180. In total, 17,180 vertical and 3,064 horizontal lines are drawn and these form the backbone of the map.

The video is created by layering numerous animations of the construction of the map, in which the rate and order of line growth is varied. Blinking rectangles indicate that the lines for a digit have completed drawing.

Original tree map and animation clips by Martin Krzywinski.

Compositing, coloring, synchronization and other post-processing by Nick Cobby.

Nick Cobby:
The challenge with Transcendental Tree Map was to bring to life Martin Krzywinskis amazing scientific visualisations of Pi. They are so dense and complex, that a considered approach was needed to ensure the computer systems could handle all the information and still maintain clarity. We had a twofold approach, using automated coded sequences from Martin and then manual digital manipulation and editing from me. Using both a generative and manual approach parallels the juxtaposition of order and randomness inherent in Martins work, and the hypnotic music Max created.

Although all Martins sequence outcomes are different, they all start with the principle rule of Pi, and when placed on top of each other, they all occupy the same grid space allowing layering and using some of the sequences as alpha channels to reveal others underneath. At any one time there are up to 30 sequences running at once. At times I wanted it to look more organic, with line tracers drawing like roots of a tree, or holes appearing in the data then glitching back to its organised structure, like its constantly battling itself. When the visual is at its peak, the construction and destruction of the order of the tree map is constant, and the notion of the infinity is revealed through the endless visual possibilities.

The transcendental tree map was originally created for 2015 Pi Day (http://mkweb.bcgsc.ca/pi/piday2015/posters.mhtml) by Martin Krzywinski (http://mkweb.bcsgc.ca) (@MKrzywinski), who has been creating Pi Day art (http://mkweb.bcgsc.ca/pi/piday.mhtml) since 2013. Martin is a staff scientist at Michael Smiths Genome Sciences Centre at BC Cancer (http://www.bcgsc.ca) where he works on data visualization.

Max Cooper
maxcooper.net/
Instagram: @maxcoopermax

Nick Cobby
nickcobby.com
Instagram: @nickcobby

Martin Krzywinski
mkweb.bcgsc.ca/

And the whole album project is explained at: www.yearningfortheinfinite.net