“This is a mass culture we live in. It makes you act like something you really aren’t. It made me so narrow that I couldn’t really do myself justice so I broke away from that whole modern dance thing. I want to be me, I want to be human.”
Doctor Barbara Ann Teer’s words on The Radicle’s opening jam ‘JAS’ may have been lifted from an old Folkways record, but that doesn’t make the sentiment any less prescient. In fact, these words could have been said by Tim himself in reference to the spirit and ideology of ‘The Radicle’, only his third artist album to date.
Born out of a pure love of real instruments and instrumentation, and with a decidedly soulful, blues-y feel, ‘The Radicle’ is vastly different from the majority of electronic albums out there. Tim took his time and immersed himself completely into the record, surrounding himself with some of the best contemporary jazz musicians around, making for a sonic adventure with ideas bursting from every kick and lick. There’s a cover of the Miles Davis classic ‘So What!’ which bends the trumpet classic into new forms while ‘Shanti’ explores a more mystical Indian vibe with a sax solo John Coltrane of which would be proud.
Presented as an Expanded Edition, the album is supplemented by nine club-focused remixes, including a brand new, exclusive Live Disco Revision by Terry Grant
Мелодрама «Тетя Маша» фильм 2018 смотреть онлайн бесплатно в хорошем качестве
❏ Другие фильмы ▶https://www.youtube.com/playlist?list=PLFwn5mqJn1ssk_l61zr53TGI7JzmgoMR2
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Catwalk with best models in the world in 1995. Documentary moments in fashion life. Lets get view on supermodels of the 90th. A camera follows model Christy Turlington through the spring fashion shows in Milan, Paris, and New York one year in the early 1990s. Extended footage looks at Versace and Armani in Milan, Galliano, Gaultier, and Lagerfeld in Paris, and Isaac Mizrahi in New York. With Kate Moss, Naomi Campbell, and Turlington…
The Supermodels (with a capital S) of the 90s were pretty much as close to superheroes as weve come. These girls were celebrities in their own right, hosting tv shows, owning restaurants (Who can forget Fashion Cafe?), appearing in music videos—like the legendary «Freedom 90» by George Michael—and killing it on the catwalk. While we have Gigi Hadid and Kendall Jenner to obsess over, modern-day supermodels can credit much of their careers and their celebrity to the Big 6. Nearly three decades later, their impact on fashion and beauty can still be felt, and a few of them are even parents to supermodels of their own. Heres the women who ruled the runway in the 90s. Kate Moss, Naomi Campbell, Linda Evangelista, Stephanie Seymour, Helena Christensen, Claudia Schiffer,Christy Turlington, Tyra Banks, Kristen McMenamy, Eva Herzigová, Cindy Crawford, Shalom Harlow, Karen Mulder, Carla Bruni, Tatjana Patitz…
Photo by Peter Lindbergh
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for «fair use» for purposes such as criticism, comment,non profit,news reporting, teaching, scholarship, and research.
Миша Романова рассказала про уход из группы ВИА ГРА и нынешнюю работу в команде Макса Барских, про сексуальность в клипах Помада и Лунная, проект «Хочу в Виа Гру» и своего сына Мартина. Поделилась трудностями беременности, как могла потерять неродившегося ребёнка из-за халатности врачей, как оказалась на улице из-за отца своего сына, а также высказала мнение о пластических операциях, ЛГБТ и прокомментировала слухи о романе с Егором Кридом. Эксклюзивно для Ходят слухи.
После смерти ламы Дорже из Тибета буддийские монахи начинают искать по всему миру детей, в которых воплотилась душа умершего. Они находят американского мальчика Джесси и двух индусов — Раджу и Гиту, которые втроем стали объектом реинкарнации. Параллельно поведана легенда о принце Сиддхарте, который однажды начал свое восхождение к вершинам Духа.
год: 1993
страна: Италия, Франция, Лихтенштейн, Великобритания
слоган: «A magical journey to a place where the past and the present meet»
режиссер: Бернардо Бертолуччи
сценарий: Руди Вёрлицер, Марк Пиплоу, Бернардо Бертолуччи
продюсер: Джереми Томас
оператор: Витторио Стораро
композитор: Рюити Сакамото
художник: Джеймс Эчесон, Джанни Джованьони, Эндрю Сандерс
монтаж: Пьетро Скалия
жанр: драма
В главных ролях: Киану Ривз, Крис Айзек, Бриджит Фонда, Ин Жочэн, Алекс Визендейнджер, Раджу Лал, Грейшма Макар Сингх, Согйял Ринпоче, Хёнгла Рато Ринпоче, Геше Цултим Гелсен
Marion Cotillard had a front-row seat at Chanel’s Paris Fashion Week show, which evoked the glamour of Hollywood and Cannes – but she was one of the only in-person attendees
Covid-19 might have put off celebrities from attending, but the luxury fashion brand’s runway show at the Grand Palais – right before the venue closes for renovations for the Paris Olympics of 2024 – was a dose of much-needed optimism
Monumental light-bulb encrusted letters spelling CHANEL sparkled over the runway at the Grand Palais on the last day of Paris Fashion Week, prefacing a collection celebrating the cinema industry. It brought a pang of nostalgia for better times during this pared-down virus-hit season that has been notable for its lack of star power.
Like Milan before it, Paris has undertaken an unusual fashion season for spring/summer 2021 because of the coronavirus pandemic. The nine-day calendar was a mix of ready-to-wear runway collections with masked guests in seated rows, in-person presentations and completely digital shows streamed online with promotional videos.
The American actors who usually attend Chanel, the highlight of Paris Fashion Week, stayed away. But designer Virginie Viard dreamed of more glamorous times. She produced an optimistic collection channelling the Hollywood or Cannes movie star machine and its media circus, appropriately placing French Oscar-winning actress and Chanel muse Marion Cotillard on the sparse front row.
“I was thinking about actresses at the photo call, coming off the red carpet: their faces a little distracted, their attitude a little out of sync with the outfits they’re wearing … this very lively side to cinema that happens beyond cinema,” Viard said.
It produced a diverse display of high-class glamour that mingled with the casual in a collection notable for its shoulder shapes that were exaggeratedly round and wide, or diagonal and flat.
For the high-class, there were ecru and black tweed skirt suits – the house signature. The best was a stiff knit black number with giant round shoulders, uber-cinched waist, giant tubular arms and large white visible shirt cuffs and collar. It cut a beautiful silhouette against the pure-white illuminated runway.
However it was the casual looks that let the collection down. Large prints in vibrant colour, such as a turtle-neck and crossover dress, featured blown-up letters spelling the house name to evoke neon lights. But the colours clashed and it seemed as if the designer was trying too hard to be hip.
That said, there were plenty of stand-out moments. A shoulderless black mini dress was the definition of chic, with a sheer silk black overskirt that fluttered gently to the ankles to sensually reveal the legs. A loose black silk top had dramatic swooshes of white feathers across it like a sash.
On a nostalgic note, this could be one of the last Chanel shows in the Grand Palais for years. The venue has said it is closing from December 2020 to March 2023 for renovations, and is set to reopen before the Paris Olympics of 2024.
Астролог и ректор Академии Астрологии Михаил Левин о том, каким будет 2021 год: общая картина, ретроградные планеты, затмения и многое другое. Книга Михаила Левина «Записки астролога», и открытие астрологического колледжа в феврале 2021 года! Прямая трансляция, посвященная колледжу — 25 декабря в 12.30 по московскому времени. Присоединяйтесь!
00:43 нумерологическое значение года
03:25 общая картина года
04:33 астрологические события года
11:39 ситуация в России
14:41 международное положение России
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