Wlad Roerich - Amber Star

Мода 21 Века

SoundCloud: soundcloud.com/wladroerich
Twitter: twitter.com/WladRoerich
Facebook: web.facebook.com/WladRoerich
PayPal: paypal.me/wladroerich

Tracklist:
1. London Grammar — Hey Now (Carlo Whale Remix)
2. Mike D Jais — A Soul Deep (Original Mix)
3. Agoria — Up All Night (Original Mix)
4. Oliver Koletzki — After All (Claptone Remix)
5. Joachim Pastor — Born and Left ( Original mix )
6. Worakls — Bleu (Nto Remix)
7. Mat.Joe — Airplane Mode (Original Mix)
8. Kiasmos — Paused (Stimming Remix)
9. Jan Blomqvist feat. Aparde — Drift (Original Mix)
10. Oliver Lieb — Convergence (Midas 104 Remix)
11. Jan Blomqvist feat. Elena Pitoulis — More (Extended Mix)

Christian Löffler - Lid

Мода 21 Века

Christian Löffler — Mare
Mare :: 33r.pm/cme

Mare is Christian Loefflers second studio album and follows in a similar vein to his self-released debut, A Forest. However a key difference is that while his first album was heavily sample-based, Mare is much more organic, in which nearly every sound and every instrument is self-recorded. Many of the albums ideas are based on field-recordings taken from the surroundings. On top of this, several microphones were set up in the room and left to run on for whole sessions. The microphones collected everything, from tapping, singing, playing, footsteps, as well as percussive elements.

Actor: Nick Alexander Pasveer
Director: Sarah Daisy Ellersdorfer
Production Manager: Christof Pilsl
Director of Photography and Camera: Max Christmann
Art Direction: Mara Metzmacher
Editing: Sarah Daisy Ellersdorfer

Christian Löffler - Nil

Мода 21 Века

Nil is a track by Christian Löffler, taken from his album Mare

Mare :: 33r.pm/cme

Mare is Christian Loefflers second studio album and follows in a similar vein to his self-released debut, A Forest. However a key difference is that while his first album was heavily sample-based, Mare is much more organic, in which nearly every sound and every instrument is self-recorded. Many of the albums ideas are based on field-recordings taken from the surroundings. On top of this, several microphones were set up in the room and left to run on for whole sessions. The microphones collected everything, from tapping, singing, playing, footsteps, as well as percussive elements.

Dates