Tracklist:
1. From Nothing Comes a King — Daniel Pemberton
2. King Arthur: Legend of the Sword — Daniel Pemberton
3. Growing Up Londinium — Daniel Pemberton
4. Jackseyes Tale — Daniel Pemberton
5. The Store of Mordred — Daniel Pemberton
6. Vortigen and the Syrens — Daniel Pemberton
7. The Legend of Excalibur — Daniel Pemberton
8. Seasoned Oak — Daniel Pemberton
9. The Vikings
Origins is part of my new Emergence audiovisual show. It examines how everything comes from (almost) nothing — how simple laws create complex, fascinating and beautiful outcomes. Origins shows how electromagnetism — one of the four fundamental forces, helps create the types of cell structures that allow life to emerge.
What you see is water mixed with an oily ferrofluid. Because their charge properties are different, they cannot mix – each repels the other. But when forcibly mixed by mechanical or magnetic forces, the result is that spheres form of one fluid inside the other – basic cell-like structures. All living cells today exhibit this same natural property of being encased in molecules that form a barrier which repels water, and it’s possible that the first cells arose through the sorts of processes shown in the video.
The inclusion of a magnetically influenced ferrofluid isn’t needed to yield these basic cell-like spheres, but provides a great way of manipulating the fluids for the video. And it looks cool.
Origins is one chapter of the Emergence story for which I have worked with many different animators, musicians and some mathematicians to put together a full length audio and visual live performance. Each part of the story involved an interpretation of the ideas so that we could present them in a beautiful and abstracted, but still meaningful manner. I didn’t want to start from the big bang as would be the usual, but to look at more fundamental form from which everything could stem from — the structure of numbers themselves, shown via Riemann’s zeta function, the Sieve of Eratosthenes and Sacks spiral. The story then progresses through ideas of dimensionality, eventually the formation of matter and the universe, stars, planets, the beginnings of life, evolution, plants, animals, humans and all the way through to modern society, the capitalist machine and information era.
I wasn’t sure how to approach the origins of life section, and originally was asking for an evolutionary-themed competing cells video. But when I saw the first tests of Rabbit Hole’s ferrofluid work I realised that we were looking at something much more fundamental – how natural materials and forces can produce the first sorts of structures needed to initiate early life.
Director Tim Dee of Rabbit Hole adds:
Most of the footage you see is rotated 180 degrees to make the movement more striking. We experimented with several liquids to try to create dramatic movement: from a ferrous liquid made from vegetable oil, water and printer tone (which didnt work so well), to using kerosene, oleic acid and magnetised iron filings — all in a tiny tank the size of a coffee mug, with about four different magnets and an airpipe used to manipulate the liquid.
The video was filmed using a Blackmagic 4K Production camera with Nikon prime lenses to get in close. The final picture stitches up to three pieces of footage together, with all camera movement and zoom added during editing. This was our first music video, though weve worked with Max on his website and record covers before. Hope you like it!
There is also a brand new site dedicated to providing you with some new, unheard, music, mixes and remixes that wont be available from anywhere else, all for free. If youd like to receive this music you can sign up to the site at www.maxcooper.net/downloads
Mare is Christian Loefflers second studio album and follows in a similar vein to his self-released debut, A Forest. However a key difference is that while his first album was heavily sample-based, Mare is much more organic, in which nearly every sound and every instrument is self-recorded. Many of the albums ideas are based on field-recordings taken from the surroundings. On top of this, several microphones were set up in the room and left to run on for whole sessions. The microphones collected everything, from tapping, singing, playing, footsteps, as well as percussive elements.
