Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.
The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.
The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).
Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.
The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.
By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, dont you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You dont feel bored. Its your mind using the notes and the colors to create your own experience.
Most of the videos online with only one image are only music, but not this.
The research behind the perfect combination is the key for the unconscious.
The research:
«Music–color associations are mediated by emotion» www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
— This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.
Producer, Conductor: John Williams
Studio Personnel, Recording Engineer, Mixer: Shawn Murphy
Conductor: Bill Ross
Studio Personnel, Editor: Ramiro Belgardt
Studio Personnel, Editor: Robert Wolff
Unknown, Other: Grant Gershon
Unknown, Other: Sandy DeCrescent
Unknown, Other: JoAnn Kane Music Services
Unknown, Other: Patricia Sullivan
Composer, Composer Lyricist: John Williams
#starwars #episode9 #naboo #palpetine #riseofskywalker
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Interstellar Docking Scene Music — No Time For Caution — Hans Zimmer
Interstellar is a 2014 science fiction film directed by Christopher Nolan. Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, and Michael Caine, the film features a team of space travelers who travel through a wormhole in search of a new habitable planet. It was written by Jonathan Nolan and Christopher Nolan, Christopher combined his idea with an existing script by his brother that was developed in 2007 for Paramount Pictures and producer Lynda Obst. Nolan is producing the film with Obst and Emma Thomas. Theoretical physicist Kip Thorne, whose works inspired the film, acted as both an executive producer and a scientific consultant for the film.
Warner Bros., who produced and distributed some of Nolans previous films, negotiated with Paramount, traditionally a rival studio, to have a financial stake in Interstellar. Legendary Pictures, which formerly partnered with Warner Bros., also sought a stake. The three companies co-financed the film, and the production companies Syncopy and Lynda Obst Productions were enlisted. The director also hired cinematographer Hoyte van Hoytema since his long-time collaborator Wally Pfister was busy working on Transcendence, his directorial debut. Interstellar was filmed with a combination of anamorphic 35 mm and IMAX 70 mm film photography. Filming took place in the last quarter of 2013 in locations in the province of Alberta, Canada, in southern Iceland, and in Los Angeles, California. The visual effects company Double Negative created visual effects for Interstellar.
Interstellar premiered on October 26, 2014 in Los Angeles, California. Commercially, it is scheduled for a limited release in North America (United States and Canada) on November 5, 2014 and a wide release on November 7, 2014. It will also be released in Belgium, France and Switzerland on November 5, 2014 and in additional territories in the following days, including the United Kingdom on November 7, 2014. For the limited release in North America, it will be released in 70 mm and 35 mm film formats in approximately 240 theaters which still project the formats, including at least 41 70 mm IMAX theaters. For the wide release, it will expand to theaters that will show it in digital format. Paramount Pictures will distribute the film in North America, and Warner Bros. will distribute it in the remaining territories
Interstellar OST — No Time For Caution — Hans Zimmer (Original Motion Picture Soundtrack)
Interstellar Docking Soundtrack
Interstellar OST,Interstellar Soundtrack,Interstellar Docking,Interstellar No Time For Caution,Interstellar
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