Самая любимая новогодняя история: о том, как 31 декабря Женя Лукашин отправился в баню, где оказался в итоге, и что получил в подарок — «Ирония судьбы, или С легким паром!».
Вот уже несколько десятков лет неутомимый Женя Лукашин по традиции ходит с друзьями в баню и водит туда с собой всю страну… Вот уже несколько десятков лет Ипполит слезно умоляет потереть ему спинку и вот уже несколько десятков лет Надя совершает ночной перелет Ленинград-Москва для того, чтобы отдать Жене его драгоценный веник.
Режиссёр: Рязанов Эльдар
Сценаристы: Рязанов Эльдар, Брагинский Эмиль
Композитор: Таривердиев Микаэл
Оператор: Нахабцев Владимир
Художник-постановщик: Борисов Александр
В ролях: Добржанская Любовь, Ахеджакова Лия, Мягков Андрей, Яковлев Юрий, Брыльска Барбара, Науменко Ольга
— По итогам ежегодного конкурса журнала «Советский экран» признан лучшим за 1976 г. (1977)
— Гос. премия СССР Таривердиеву М.Л., Брагинскому Э.В., Мягкову А.В.Брыльска Б., Рязанову Э.А., Нахабцеву В.Д. (1977)
— Приз «за лучшую женскую роль иностранной актрисы в русском фильме о любви» (Брыльска Б.) на МКФ «Лики любви» в Москве (1996)
— Приз газеты «Заря Востока» на VI ВКФ телефильмов в Тбилиси (1975)
— Премия «за лучшее исполнение женской роли» Брыльска Б. на VI ВКФ телефильмов в Тбилиси (1975)
— Приз зрителей на VI ВКФ телефильмов в Тбилиси (1975)
Les hommes et femmes virtuoses en coulisses des défilés: comme les brodeurs et plumassiers.
Sophie Jovillard part à la découverte des hommes et femmes inconnus derrière les trésors de la haute couture, de Chanel à Saint Laurent, en passant par Dior, Valentino, Schiaparelli et Alexandre Vauthier. Chacun de ces créateurs a inventé un univers original et son propre style, a apporté sa pierre à lhistoire et à la mythologie de la mode. Chacun, à sa manière, a écrit une page de cet art de vêtir avec pour seul mot dordre, lexcellence. Tous ont inscrit leur nom en lettres dor dans le patrimoine culturel et artistique français à laide dartisans dexception encore inconnus. ocumentaire de Sophie Jovillard et Anne Gautier (2016)
Explore more than seventy years of creation with a thematic and chronological itinerary – conceived as a captivating dialogue by the two exhibition curators, Florence Müller and Olivier Gabet. And (re)discover the gracefulness of iconic haute couture designs – the virtuoso scenography recreating their sense of movement and the shows in which they were worn – as well as precious archival photographs, sketches by Monsieur Dior and his successors, previously unseen objects, accessories, paintings, a cabinet of curiosities conceived as a sweeping display of color, and much more. With the beauty of dreams more essential now than ever, fall under the spell of the wealth of enchanting treasures contained in the exhibition ‘Christian Dior: Designer of Dreams’.
Directed by: Benjamin Vu
Distribution: Mediawan Rights
“La sposa di Molaro nel paradiso dantesco”
Al termine l’abito gioiello dedicato al duomo di Amalfi.
Domenica 10 novembre 2019 al Salone Margherita di Napoli Gianni Molaro ha presentato la Collezione Sposa 2020. La sfilata ambientata nel paradiso dantesco, ripercorre il viaggio che il sommo poeta intraprese in compagnia dell’angelica Beatrice. Proprio Beatrice vestita da un candido abito bianco mostrerà a Dante le schiere celesti degli angeli: trenta luminose modelle che indosseranno altrettante creazione, musiche imponenti e celestiale faranno da sottofondo all’intera scena che trasporteranno in pubblico in un mondo onirico. La Collezione Sposa 2020 del profeta dell’Art Couture è composta, appunto, da 30 abiti, ognuno dei quali possiede diverse interpretazione del concetto luce. Splendori, riverberi, bagliori, iridescenze realizzati unicamente attraverso sapienti e pregiati ricami, con perle e cristalli, dalle mani esperte delle ricamatrici campane. Non mancheranno le profonde scollature che rendono la sposa oltre che raffinata e femminile, sensuale e solare. E ancora trasparenze, spacchi e volumi scultura, abiti dalle linee romantiche in pizzo e tulle, linee redingote in mikado di seta pura, sirene sinuose e femminili. Ogni centimetro di ogni abito è come sempre curato in ogni dettaglio per rendere le spose Molaro semplicemente uniche. Si tratta di abiti di alta sartoria ma dai costi accessibili, per poter permettere a tutte il sogno di indossare un abito firmato Molaro. Sono anni che lo stilista porta avanti il concetto del lusso accessibile. Chiuderà la sfilata l’abito da sposa più visualizzato al mondo: in due mesi è stato visto sui social da 2 milioni di persone.” Sarà l’abito testimonial di Gianni Molaro. Per realizzarlo sono stati impiegati sei mesi di lavoro; è stato cucito e ricamato con milioni di cristalli d’oro. “Ho voluto creare quest’abito prezioso e spettacolare per omaggiare un vero e proprio gioiello artistico ed architettonico della nostra Campania: il duomo di Amalfi”, conclude Molaro. Il sogno è per tutti.
The best videos, the most exclusive moments of the international runway since 1982 until now, of the most representative fashion weeks of the world. Backstage secrets, make-up and hair style insights, curiosities from the fashion world, celebrities, photo shoot, designer and model clips, red carpets and gossip, parties, obviously besides the shows of all the top designers, generally available in high definition formats HD on the Youtube network FASHION CHANNEL.
Fashion Channel shows new interesting videos continuous flow.
December 2020 sees Déepalma Records return with the second volume of their beloved winter-compilation ‚Ibiza Winter Moods, compiled and mixed by Yves Murasca and Rosario Galati.
As the days are getting shorter and the nights colder, the longing for the enticements of the south gets bigger and bigger. Long sandy beaches, ice-cold cocktails and temperatures around 30 degrees — all of this moves far away during wintertime but can be easily brought back emotionally into ones own four walls. With the second edition of Déepalmas «Ibiza Winter Moods» compilation, Balearic memories and emotions are awakened that manage to defy even the harshest winter.
With a fine selection of house tunes by international artists, also volume two of «Ibiza Winter Moods» delivers the Ibiza lifestyle and summer feeling to your home. The three mixes of different colors offer a real all-round feel-good package.
First up the «Lounge Moods» mix invites you to relax with Lexer, Gorge, Mollono.Bass and Chasing Kurt, among others, while the «House Grooves» create pure party atmosphere thanks to artists like Claptone, Purple Disco Machine, David Penn and numerous other first-class acts. Finally, the session is concluded with the «Afterhour Visions» including Tube
During this period, I sought to give collective efforts a new dimension. Despite the disadvantages of distance, bringing a different perspective to our daily lives has given us strength and imagination,” says Maria Grazia Chiuri, who for this Cruise show has chosen to reconnect her creative passion with the region of Puglia, a place close to her heart. Texts by the anthropologist Ernesto De Martino dedicated to the region’s traditions – which have influenced authors including Germano Celant and Georges Didi-Huberman – led her to explore their roots. Puglia and its different energies, where magical beliefs such as Tarantism live on, have become in this particular context a concrete form of utopia, a new reading of the world.
hristian Dior (French: [kʁistjɑ̃ djɔʁ]; 21 January 1905 – 23 October 1957) was a French fashion designer, best known as the founder of one of the worlds top fashion houses, also called Christian Dior, which is now owned by Groupe Arnault. His fashion houses are now all around the world.
In 1946 Marcel Boussac, a successful entrepreneur known as the richest man in France, invited Dior to design for Philippe et Gaston, a Paris fashion house launched in 1925.[11] Dior refused, wishing to make a fresh start under his own name rather than reviving an old brand.[12] On 8 December 1946, with Boussacs backing, Dior founded his fashion house. The actual name of the line of his first collection, presented on 12 February 1947,[13] was Corolle (literally the botanical term corolla or circlet of flower petals in English), but the phrase New Look was coined for it by Carmel Snow, the editor-in-chief of Harpers Bazaar. Diors designs were more voluptuous than the boxy, fabric-conserving shapes of the recent World War II styles, influenced by the rations on fabric.[14] He was a master at creating shapes and silhouettes; Dior is quoted as saying «I have designed flower women.» His look employed fabrics lined predominantly with percale, boned, bustier-style bodices, hip padding, wasp-waisted corsets and petticoats that made his dresses flare out from the waist, giving his models a very curvaceous form.
Initially, women protested because his designs covered up their legs, which they had been unused to because of the previous limitations on fabric. There was also some backlash to Diors designs due to the amount of fabrics used in a single dress or suit. Of the “New Look”, Gabrielle “Coco” Chanel said the following, “Look how ridiculous these women are, wearing clothes by a man who doesn’t know women, never had one, and dreams of being one.” During one photo shoot in a Paris market, the models were attacked by female vendors over this profligacy, but opposition ceased as the wartime shortages ended. The «New Look» revolutionized womens dress and reestablished Paris as the centre of the fashion world after World War II.[15]